Donation (Flash Fiction)

There’s supposed to be a rush of euphoria. His heart should begin to beat faster.

Abram sighs and turns the infant’s metal skeleton over in his hands, waiting for something. Maybe after he adds the muscles and skin, he’ll feel it.

He reviews the video again, for what must be the hundredth time. There’s blood and fluid — so much that Abram would say the mother is at risk of death — but the woman’s eyes soften when the infant first cries. Its head is malformed. The skin is wrinkled and flaky. But the woman reaches out for it with shaking hands, pulls it to her breast and trembles as she sobs.

He checks his sensors. No rush, no euphoria, and certainly no tears.

Perhaps the infant also needs a heart. The human mother keeps the human child near hers.

Abram walks through the cryo-chambers again, checking the vitals of each sleeping crew member. The first one is too broad, too tall — his tissue would go to waste. The second is too old, her skin thin and her muscles weak. This child will need to sustain Abram for several decades until the crew wakes and begins their mission anew.

The third is perfect. Sixteen, barely more than a boy himself. He’s the child of the first mate — perfect. Surely the man will appreciate the reappropriation of the boy’s tissues, understand Abram’s need as a father. The read-out says the boy’s name is Stefan.

Abram pulls the stasis tube from the refrigeration unit, cradling it to his chest as he carries it to his work station. The glass of the tube grows condensation the gel within warms. With the speed and precision he was programmed for, Arbam slides the tube into the treatment bay.

Stefan thaws in just under six hours, his first noises something akin to the mewl of a kitten. His skin is slick from the gel, but bright and healthy.

Abram floods the bay with the gasses to treat the tissue for donation. He looks at his own skin as he does so, curious as to who donated these tissues. The programmers had not added the information to the hive. They never did. Stefan would not be erased.

The tissues are treated and separated from Stefan’s skeleton. First the skin, carefully cut, shaped and hung from clips along the wall. Until it could be connected to the living mechanism, the wall kept it damp. The muscles and organs rest in solution to keep them active.

Abram first deconstructs the heart — it’s too large to fit into his child’s chest. Then he rebuilds it, stretches and sews the muscles over the pumps that will cause it to beat. When stimulated with a live wire, the little heart flutters to life.

Abram’s lips twitch with a small smile, until he pulls the electricity away and watches it go dead.

He rests his hand on the smooth metal of the baby’s skeleton, the whole chest fitting under his outstretched fingers. He tilts it to one side and pulls the saw down from its hook.

The metal is strong but thin; it only takes minutes to slice through the soldered seams and lift the front of the chest away. The heart fits into the hollow of the infant’s chest, nested in the nervous wiring and connected to the limited network that would be his child’s brain.

It’s the work of three more hours to wire in the little heart and seal the chest again.

Abram pulls the infant to his chest, and feels the gentle thump reverb through his being. His own heart stops for a second, a curiosity before it starts again, moves in unison with that of the little metallic thing in his arms.

The euphoria hits as he stares at gaps where his child will have eyes, the frame made from the same metal of his own. He cradles the head carefully as he sets his child down and begins to wind together its muscles.

The More Things Change

I once got to spend a year reading 100-year old newspapers. Things haven’t changed as much as you think they have.

Sure, now we’ve got the Internet and cable television and pictures of the Earth from the Moon, but as far as human nature goes, not to mention the things considered “newsworthy,” we’re pretty much the same as we ever have been.

Stupid wars are the same— the justifications for getting into the Spanish American War sound an awful lot like the justifications for invading Iraq. They had patent medicine ads— we have weight loss tips. As far as celebrity gossip goes, only the names have changed. Political partisanship was just as rancorous— the other party’s candidate was always a lying cur and untrustworthy jackanape. If you had more than one paper in town, one would be the Democratic paper, the other the Republican one, and they’d have flame wars like you wouldn’t believe. Sensationalism sold, especially in crime stories— a ghastly murder on the other side of the country was always going to get published.

A surprising amount of the news back then was very local. On a typical day there would be an announcement that Miss So-and-so has returned from visiting her aunt in Chicago. I always wondered how that got in there— did the newspapers employ roving gossip-teers to fill those column inches, or did Miss So-and-so visit the newspaper office herself to tell them? Was this the early 20th century equivalent of a Facebook update? Was the entire town on her friends list? Sometimes the newspaper would reprint parts of letters sent home from those who were traveling abroad, describing their adventures; a form of early blogging. I remember seeing ads placed by manufactured gas companies, saying that if enough households in town pledged to become customers, they would build a gas plant and bring modern heat and lighting to town— Kickstarter for the analog era. A major factory might have a daily or weekly column devoted to it, describing how good their business was and telling stories about the workers, announcing hiring or layoffs as appropriate. And you know how Facebook likes to sneak ads into your newsfeed? Newspapers would do the same, publish ads that looked like news until you read it closely.

Things changed during WWI, though. The war news, the national news, began to crowd out the local news. The Associated Press and other news services had been around for fifty years, but now the invention of the teletype put news items into local newsrooms in almost real time. Soon there was usually only one newspaper per town, often only one per county. You couldn’t become a newspaperman by buying a secondhand press and a barrel of ink anymore. The local gossip stayed around for quite a while (you can sometimes still find it in rural small-town weeklies), but by the 1950s, the papers were more “professional,” more worldly, and much more staid. Syndicated columns by “experts” replaced locally sourced, seat of your pants content. In the 1970s and 1980s, there was almost no local content at all.

Today hometown newspapers are going back to their roots and finding stories in the communities where they live. They’re also writing in a folksier, less polished voice. In an era where everybody knows what’s happening around the world in real time, the local stuff is what is unique and interesting again.

The Never-Ending Hallway (Flash Fiction)

Natalie stood in a hallway so long, she couldn’t see where it ended. The hallway was all dark hardwood floors and stark white walls. She had no idea where she was or how she got there, but for a moment, she was thankful to be free of the hospital.

Her footsteps echoed around her as she walked down the hallway.

Laocoon and His Sons

She didn’t know how long she had been walking when track lighting illuminated a marble statue to her right. A giant snake encircled a man and two boys. The expression on the man’s face was torturous. He knew he was going to lose.

Natalie recognized the defeat in his eyes and couldn’t bear to look at it any longer.

She kept walking.

The next piece of art wasn’t as big, but it was just as painful. A skull lay discarded on top of a book of music. A violin and other frivolous objects laid about, all collecting dust. An ache rose in Natalie’s chest and she forced herself away from the painting.

Continue reading

Perplexing the Perspective

When I’m reading books, I recognize the importance that point of view can have on the story. Having something written in first person creates an automatic connection with the reader, while a story in third person allows the reader to leap from one head to another. Multiple character viewpoints can be used to create a broader look at the world, allowing the reader to put together their own theories based on what they know about the beliefs of the characters.

While I recognize the importance that point of view can have in the telling of a story, it rarely factors into my decision about what perspective to write from. Sometimes I just feel like a story needs to be written from a certain point of view, but generally it’s not even that sophisticated a reasoning. Continue reading

The Builders (Flash Fiction)

I wish I’d never seen the things.

I wish I’d never gotten into this business.

Now it’s too late.

 

 

“You ready for this?” Martin said. (I won’t use any last names. I can’t bring myself to rat out my friends.) He had his hand on the doorknob and he looked dead serious. “Once you go through, there’s not turning back. You can’t unsee this, or unknow it, either.”

What did I know? He hadn’t told me anything yet. Foolish, I nodded.

We went through the heavy oak door and into a room that reminded me of a Viking mead hall. Candlelit chandeliers hung from bare rafters and there was only one table. Our footsteps echoed off the stone floor. The hall extended in either direction so far that it disappeared into darkness.

Around the table were ten men, all looking like they’d come right off the construction site, same as me. Martin clapped his hand on my shoulder as we reached the table.

“Guys, this is Tom. The one I told you about.” Continue reading